Lesson 6 of 14 · Yoga & anatomy
Concentration, meditation & absorption
From returning attention to sustained contemplation.
Dhāraṇā, dhyāna and samādhi: the final three limbs, their differences and the object–observer relationship.
01 · Study
Aṣṭāṅga means eight limbs
Aṣṭa means eight and aṅga means limb. Here Aṣṭāṅga refers to Patañjali’s eight-limbed framework, not specifically the modern Ashtanga Vinyasa posture series. The Yoga Sūtras are a foundational text for classical yoga, not the only foundational text for every yoga tradition.
| Limb | Study meaning |
|---|---|
| Yama | Ethical restraints |
| Niyama | Observances |
| Āsana | Posture |
| Prāṇāyāma | Breath regulation |
| Pratyāhāra | Withdrawal or inward gathering of the senses |
| Dhāraṇā | Concentration |
| Dhyāna | Meditation |
| Samādhi | Absorption |
Further reading: Internet Encyclopedia of Philosophy · Yoga Sūtras ↗
02 · Study
Three distinctions worth keeping
Samādhi is not simply relaxation, sleep or a pleasant feeling. Nor does “without the self” mean that a person ceases to exist. The language concerns the structure of contemplative experience. These are distinctions for study, not achievements to force.
| Term | In the notes | A clearer explanation |
|---|---|---|
| Dhāraṇā | Bring the mind to one object | Establish attention on a chosen place or support; notice wandering and return. |
| Dhyāna | Uninterrupted flow | A sustained continuity of attention towards the object. |
| Samādhi | Only the object remains | Absorption in which the object shines forth and ordinary self-referential awareness recedes. |
03 · Study
Object, observer and knowing
The notebook identifies an object, an observer and a process of observation. Imagine attention resting on a flower: there is the flower, the sense of “I am looking”, and the act of looking. The notes use this relationship to explain how self-commentary can become less prominent during absorption.
The three practices applied together are called saṃyama in Yoga Sūtra 3.4. This is an advanced contemplative framework, not a guarantee that a short focus exercise will produce samādhi.
Further reading: Internet Encyclopedia of Philosophy · Yoga Sūtras ↗
04 · Study
Settling is not suppressing
The class describes meditation as healing or quieting the mind, with movement, breathing, mantra and Yoga Nidrā as preparations. This offers a helpful distinction: a preparation can make attention easier, but it is not automatically the same as sustained meditation.
A blank mind is not a prerequisite. Thoughts, emotions and sounds can arise while one notices and returns. “Reprogramming”, “absolute nothingness” and “the moment you lose mind” are the notebook’s metaphors, not clinical definitions or instructions to dissociate. The statement that silence alone heals everything is not established.
Further reading: NCCIH · Meditation and mindfulness: effectiveness and safety ↗
05 · Study
Yoga Nidrā: rest with awareness
The notebook calls Yoga Nidrā “conscious sleeping”, “deep sleeping” and “yogic sleeping”. These are evocative teaching phrases. Modern guided methods generally invite a resting body with awareness of instructions, sensations or imagery; they are not identical to ordinary deep sleep.
Falling asleep is not a moral failure, and remaining aware is not a performance test. Yoga Nidrā is not a substitute for sufficient sleep or treatment for a sleep disorder. The existing traditions guide holds the history and method distinctions, rather than repeating a second complete lesson here.
06 · Study
Begin with attention, not a target state
Choose a comfortable seat and a neutral focus, such as contact with the chair.
Notice the chosen sensation while allowing ordinary breathing.
When attention wanders, recognise it and return without criticism.
After a minute or two, widen attention to the room and finish.
07 · Study
Pañca dhāraṇā: five-sense attention
The class heading means five concentrations in this context. It explores hearing, sight, smell, taste and touch, noticing both a sensation and its absence. The note’s emphasis is awareness rather than achieving a long duration. This is a class exercise, not a universal definition of dhāraṇā.
| Sense | An accessible attention cue |
|---|---|
| Hearing | Notice one nearby sound without searching for perfect silence. |
| Sight | Rest the eyes on a neutral object; closing them is optional. |
| Smell | Notice an ordinary ambient scent or no distinct scent; do not introduce irritants. |
| Taste | Notice the existing taste in the mouth; no food is required. |
| Touch | Feel the chair, floor or clothing without needing to touch every object. |
08 · Study
Pratyāhāra: gathering attention inward
In Patañjali’s eight limbs, pratyāhāra precedes concentration. It concerns the senses no longer being pulled automatically towards their objects. It does not require physically blocking the ears, nose or eyes.
The five-sense exercise notices sensory experience; pratyāhāra explores one’s relationship to its pull. They can inform each other without being identical. The notebook’s discussions of oneness and release from rebirth are spiritual aims, not guaranteed outcomes of a brief exercise.
Further reading: Yoga Sūtras · context and eight limbs ↗
From notebook to page
IMG_1586: the meditation notebook spread. The phrase about object, observer and process is expanded through Yoga Sūtras 3.1–3.4, not treated as a complete literal transcription. Further study: IMG_1849–1850: meditation and Yoga Nidrā. Further study: IMG_1860 and IMG_1867: five-sense attention and pratyāhāra.
Spelling has been standardised and explanations added. Traditional teaching cues, anatomical facts and uncertain handwriting are distinguished in the text. These pages support learning alongside appropriate teaching.